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Kleurrijke ondergrond

In the summer of 2010 I started experimenting with new patterns and new acrylic paint. I used very bright colours for my first layer, the background, to create some organic shapes. After finishing the first layer I nearly stopped, but I just just felt there would have to be some dots on this painting.

I have inserted the photographs of he first layer and one of the finished painting. As you can see, I kind of let myself go during my layer of dots. I tried all this different patterns and used different colours, to break up the large chunks of colour.

In the end I went a bit overboard and created a painting that’s a bit disturbing, as in not calming at all. So while the process of making it was very relaxing, the end result is not, It’s a bit much of everything: too much colour and too many shapes. But still, every time I see this painting, it makes me smile. Because I remember how much fun I had creating this.

Experimenteren met kleuren en patronen

Disturbing

The thing that was most disturbing to me, was the quantity of the colours I used for the dots. And I really pushed the experimenting phase by applying lots of different patterns. I just pushed a little bit too hard. In retrospect. But hey, it was an experiment.

It did show me that evidently I would rather work with less colours and patterns. Or that I maybe have a natural tendency for resisting something new.

I did like some details of the painting. Especially the green circle with the bronze patterns on it.

The bronze acrylic paint appealed to me so much, that I used this colour straight away for a new painting. With less colours and more straight lines instead of the organic shapes. Kind of like a self inflicted correction. Isn’t it strange how I can remember this ‘decision’ even though it was five years ago?!

As I haven’t painted for almost a year, I realize that I’m missing it. Having an idea, starting with the creation and finishing a piece that is not exactly as I envisaged it. And how your mind can’t help thinking about a new painting, while you’re still working on this one.

Time to start again.

While I was selecting photographs, I saw something that I had forgotten. While I’m working on a new painting, I take photographs of the entire process. That’s how I remembered that I put my children’s names in the painting and then covered them with lots of dots. Maybe that’s the reason why the painting makes me smile happily.

Een dotpainting met minder stippen

In 2008 I started this painting by applying a beautiful red background. I added the black lines to form rectangles on the canvas before thinking of dots. And even though the children asked for a painting without dots, the dots on this canvas just followed naturally.

Once I begin with painting dots, there is always the question “How many dots is enough?”. This painting feels good to me despite of the the fact that it isn’t full of dots. That doesn’t happen very often though.

I just realized that one of my last paintings that I worked on (2014) was actually set up in the same way. This time with a dark brown background, white lines and dots. In terms of composition, I was very happy with it, but then I put that canvas aside because I wanted to make something with more colors. So there are already lines on it, but no dots yet.

Warm red

Around the same time I made the painting from the above detail, I also painted the background on a new canvas.  Again I chose a warm red background to start with. And I was so happy with the colour that I never got round to make it a real dot painting. Ever since there has been a beautiful warm red square hanging on my wall. I still think it’s a shame to paint something on top of this beautiful colour. Maybe later, when I’m all grown up.

***UPDATE*** I guess I’m all grown up now. In 2017 I painted lots of dots on the canvas with the warm red background. It’s called High Energy.